Cielo Awards 2004 - 2008:

In anul 2004 a fost castigator la sectiunea "Best Club", in cadrul Dancestar Awards;
In acelasi an a primit trofeul pentru "Best Interior Design" (Club World Awards)
Best Venue USA - Urb Magazine 2005
Best Resident DJ - Francois K - Club Worls Awards (2005 si 2006)
Best Nightclub - Village Choice 2006
Best Deep House Club - New York Magazine 2006
Top 50 Nightclubs In The World - DJ Magazine (2006 si 2007)
Best Club - Club World Awards 2008

Toate aceste lucruri nu erau posibile fara prezenta unor nume mari din muzica electronica. Clubul Cielo nu a facut niciodata "economie" in ceea ce priveste calitatea un dance act:

Dave Dresden, Roger Sanchez, Jojo Flores, Martjin Ten Velden, Laurent Garnier, Sandy Rivera, Layo & Bushwacha!, Carl Craig, Francois K., Louie Vega, Kevin Hedge, Berhouz, Junior Vasquez, Dennis Ferrer, Tedd Patterson,   Marques Wyatt, Demon Days, Ben Watt, Giles Peterson, Jazzanova, Victor Calderone, Steve Lawler, Sebastian Leger, Sander Kleinenberg, John Creamer,  Frankie Knuckles, Dean K. , Loco Dice, Jody Wisternoff, Tom Stephan, Josh Gabriel, Danny Tenaglia, Theo Parrish, Mathew Dekay, Mark Knight, Kevin Saunderson, Steve Bug, Misstress Barbara, Cobblestone Jazz, D. Ramirez, Chris Liebing, Joris Voorn....

Evenimente Cielo NYC:
Vineri - 22 August 2008
"Playtime" @ Cielo Club
Line-up  - Karizma;
Luni -  25 August 2008
Deep Space
Line-up - Todd Terje
Marti, 26 August 2008
"Dusk Recordings' 3 Year Anniversary"
Line-up - Lance Jordan, Samsara, Alex Karalanian, Tim O'Connell, Marta (Live)
Joi - 28 August 2008
Roger Sanchez presents: "Secret Soul Sessions Summer '08"
Line-up - Roger Sanchez
Joi - 11 Septembrie 2008
Cielo presents: "Layo & Bushwacka!"
Line-up - Layo & Bushwacka!,  Alex Graham
Vineri - 12 Septembrie 2008
"Cielo Gets Deep"
Line-up - Marques Wyatt
Marti - 16 Septembrie 2008
"Cielo presents..."
Line-up -  Deadmau5
Joi - 18 Septembrie 2008
"Cielo presents ..."
Line-up - Trentemoller
Joi - 25 Septembrie 2008
"Cielo presents Demon Days"
Line-up - Carl Craig

Jesus. Who's tired already?

After a brief stop at Tim Horton's (mmm cherry cake donuts) and a few wrong turns, the crowds of people and jumping speakers directed us to Hart Plaza. We parked across the street in an underground garage for only $10 for the day - god bless the Midwest and low cost of living. Adorned with silver wrist bands, my crew and I explored Hart Plaza, learning the layout of the land. We first happened upon the Pioneer Pro DJ stage, featuring John Johr and Dieselboy, a combination of techno, house, and jungle - like that small room at a party you hit up when you need a change in music. Next was the amphitheater - VitaminWater stage - reserved for heavy hitters like Speedy J and Carl Craig, the place to be at the end of each night. My favorite stage was the Beatport Stage - techno all day and all night, where Alex Smoke and Paco Josh Wink pumped cracks into the concrete. The Red Bull Music Academy stage was a breath of fresh air, serving up hip-hop by the Cool Kids and classic breaks by Pete Rock. And tucked underground was the Real Detroit stage, showing the rest of the world how Detroit gets down to Mike Grant and Kevin Saunderson.

With five stages and dozens of DJs, it's impossible to see every musical act unless you want to spend the day walking around and listening to one track at a time. But I ain't complaining. The first day alone was worth the hellish car trip. I caught snippets of thumping sets at Beatport all day, including Justin Long and Eric Johnston. Joris Voorn tore the tent down with his funky, outer space techno, and I danced in the sunlight, watching in awe as he smirked and tweaked those knobs. Next up was a double header at the Real Detroit stage - first up was Terrence Parker, the man who uses a telephone as headphones. He scratched like a madman and flooded the cave with gospel house and pure dance music. No contest, he was my favorite set of the day. Stacey Pullen hopped on the turntables, looking happy as a pig in shit to be commanding the crowd with his pure Detroit techno. At this point, my party and I had been dancing/standing for 10 hours. We caught enough of Moby's set to be relieved he was back in his element - working the crowd and returning to his dirty dance roots. "James Brown is Dead" tickled our ears and we decided it was best to leave on top.

Sure, there were dozens of after-parties in Detroit that weekend, but after spending the day listening to electronic music, we wanted to give our synapses and legs a rest. We made a trip to the most non-DEMF event ever - Soul Skate. Luckily Detroit goes to bed at 4 AM, because we barely made it to the roller rink by 2:00. Kenny Dixon spun soul, hip-hop and funk while experts skated the ring. This was definitely not Roller Kingdom. We attempted to skate, but couldn't keep up with the locals, so we played arcade games and watched in awe as kids did roller skating gymnastics and break dancing.

Wanting to save our energy for Day 2, we headed back to the hotel before closing. We rode down 8 Mile Road with the beats echoing in our brains and smiles plastered across our faces. I couldn't believe we were lucky enough to do this all over again tomorrow.

NEXT: Worship on the holy day.

Link: DEMF Day 1 - Arrival

Click Here To Download The Mix!

Here comes the tracklisting.

01. Billy Dalessandro - Are You There (Elon Remix) - [Siteholder]
02. Martinez - Burning The Midnight Oil - [Cray1 Labworks]
03. Omar Salgado - Noche Pink (Pink Changes Remix) - [Dual Musik]
04. Gurtz & Dilo - Cosacos (Seph Remix) - [Einmaleins]
05. Kevin Saunderson/Inner City - Good Life (Mathew Jonson's Acid Mix) - [KMS]
06. Arg0n - Bitch (Dustin Zahn Remix)- [Wreckless]
07. Grinser - Lime - [Junion]
08. Jonas Kopp - Androgeno - [Spectral Sound]
09. Solomun - Beauty & The Beast (Vocal) - [Four:Twenty]
10. Minz - Chinese Drip (Chaton Remix) - [Perspectiv]
11. Blood & Tears - Redrum - [KarateKlub]
12. Sascha Ciccopiedi - Sturmliebe - [Level Non Zero]
13. Butane - A Rave Mistake (Remix) - [alphahouse]
14. Delon & Dalcan - 248 Km (Feat. Oxia) - [Boxer]
15. Mikael Jonasson - Snap To Grid - [Harthouse Digital]
16. Oscar - Trust The Boy - [KarateKlub PROMO]

in 1992, some enduring garage classics arrived - the robin s, degrees of motion and shawn christopher classics in this mix are still played out in garage sets today, 16 years on.

1992 was my favourite year, there was just something about it. i just about passed my gcse's after 'studying' on the beach during revision leave. spent the summer alternating between downing bottles of 20/20 wine on the sea front to flashing my fake id at lazy bouncers and most of the time, getting away with it.

then i started college and within the space of a year everything had changed. my college was full of grungey indie kids and goths, but we managed to co-exist.

download here

luther vandross and janet jackson - best things in life are free

aly-us - follow me

was not was - shake your head

ce ce peniston - we got a love thang

rapination and kym mazelle - love me the right way

funky green dogs - reach for me

degrees of motion - do you want it right now

shawn christopher - don't lose the magic

reese project - colour of love

ann consuelo - see the day

cajmere and dajae - brighter days

inner city - pennies from heaven

robin s - show me love

mk and alana - always

c&c music factory - a deeper love

degrees of motion - shine on

juliet roberts - i want you

Beatport Stage

12:00 pm Tycho (live)
2:00 pm Eric Johnston (live)
3:00 pm [To be confirmed]
4:30 pm Justin Long
6:00 pm Alex Smoke (live)
7:00 pm Par Grindvik (live)
8:00 pm Deadmau5 (live)
9:00 pm [To be confirmed]
10:30 pm Alex Under (live)

Real Detroit Stage

12:00-2:00 pm Big Joe Hix
2:00-4:00 pm Reggie "Hotmix" Harrell
4:00-5:30 pm Minx
5:30-7:00 pm Michael Gieger
7:00-8:30 pm Mike Grant
8:30-10:00 pm Terrence Parker
10:00 pm - 12:00 am Stacey Pullen

Vitamin Water Stage

2:00-4:00 pm TBC
4:00-5:30 pm DeepChord Presents Echospace (live)
5:30-7:00 pm Half Hawaii (live)
7:00-9:00 pm Zip
9:00-10:00 pm DBX (live)
10:00 pm - 12:00 am - Moby
SUNDAY

Beatport Stage

12:00 pm Matthew Hawtin
3:00 pm Konrad Black
5:00 pm Heartthrob (live)
6:00 pm Marco Carola
8:00 pm Magda
10:00 pm Richie Hawtin

Real Detroit Stage

12:00-1:30 pm Gabe Real
1:30-3:00 pm T Linder
3:00-4:00 pm Darkcube (live)
4:00-6:00 pm Aaron-Carl feat. Veronique & DJ E. Dubb
6:00-8:00 pm TBA
8:00-9:00 pm Mr. Dé - live/DJ
9:00-11:00 pm TBA
11:00 pm - 12:00 am Close

Vitamin Water Stage

2:00-3:30 pm Keith Worthy
3:30-5:00 pm Alton Miller
5:00-7 pm TBC
7-9 pm Miles Maeda
9-11 pm Mark Farina
11 pm - 12:00 am Carl Craig (live)
MONDAY

Beatport Stage

12:00 pm Jerry Abstract
2:30 pm Guillaume & the Coutu Dumonts
3:30 pm Mathias Kaden (live)
4:30 pm Davide Squillace
6:00 pm Lee Burridge
7:30 pm [To be confirmed]
8:30 pm Josh Wink
10:00 pm Dubfire

Real Detroit Stage

12:00-2:00 pm Drew Pompa
2:00-3:00 pm Josh Dahlberg
3:00-4:30 pm Derrick Thompson aka DriveTrain
4:30-6:00 pm Twonz
6:00-7:30 pm Rich Korach
7:30-9:00 pm Derek Plaslaiko
9:00-11:00 pm Kevin Saunderson
11:00 pm - 12:00 am Closed

Vitamin Water Stage

2:00-4 pm Rex Sepulveda (live)
4-6 pm Cassy
6-7pm Cobblestone Jazz (live)
7-8 pm Paul Ritch (live)
8-9 pm Joris Voorn (live)
9-11 pm Oscar Mulero
11 pm - 12am Speedy J (live) w/ Scott Pagano VJ

Petit post en avance, et pour cause... un maître ès technoïde vient nous rendre visite ce soir à Lyon. Donc juste histoire que vous preniez la température. C'est deep, c'est tech', c'est complétement groovy !!! Rien de tel pour envoyer sur la lune un vendredi soir.

Ecoutez, jugez, et allez kiffer pour moi ce soir à la plateforme. SVP !!!

Kevin Saunderson - Dinky mix for RA

[audio http://ra2.residentadvisor.net/audio/RA096_080331_Dinky-residentadvisor.net.mp3]

Petite info qui tue : le mec a quand même 44 ans. On lui attribut la création de la Techno fin 80' avec ses potes Juan Atkins et Derrick May ; Rien que ça ! He's from Detroit & knows his fucking job !!! (plus d'infos ici et là)

Le dernier Écho sonore avant le festival sera dantesque ! C’est Kevin Saunderson qui s’y colle…

Kevin Saunderson (né le 9 mai 1964 à Brooklyn) débarque à Détroit en 1971 et rencontre sur les bancs de l’école les 2 autres membres fondateurs de la Sainte Trinité Techno, Juan Atkins et Derrick May.

Dans son home studio, en 1987, il produit Big Fun sous le nom d’Inner City. C’est le début du micro studio d’enregistrement entre la table de nuit et le lit ! Lorsque le morceau sort en 1988 sur la compilation Techno! The New Dance Sound Of Detroit, il fait un carton planétaire.

Il enquille avec Good Life, et cartonne encore. À ce moment là, on peut dire que que Kevin vient de réaliser la révolution house. Des morceaux home made et succés populaire.

Les trainspotters pourront se rabattre sur la liste suivante :
The Elevator, E-Dancer, Esser’ay, K.S. Experience, Kaos, Keynotes, Reese, Tronikhouse, 2 The Hard Way, 3 Down, Bad Boys, The, Inner City, Intercity, Kreem, Reese & Santonio, Reese Project, The, Surreal, Tranzistor, Unreleased Project, X-Ray.

Il s’agit de tous (tous ?) les pseudos utilisés par Kevin Saunderson pour signer ses disques.

C’est le 4 avril, à la Plateforme, toujours face au 4 Augagneur.

Pour les préventes (13 € en prévente hors frais de loc.) c’est là, dépéchez-vous, il y a de fortes chances que ce soit complet sur place (15 €).

via | last.fm

I remember hearing this at Daft Punk… which is pretty much the only thing i can remember from daft punk. However, you can just feel yourself getting giddy in anticipation, so much so your not sure if your hungry or you need to have a wank.ALSO a slight treat… you have probably only just heard it on the radio if your lucky. Jori Hulkkonen, Lifelike (yesss!!!), Kevin Saunderson remix’s are going to be surfacing soon, bundled with a KIM edit

MP3: The Presets - This Boys In Love

Waves At Night

Bam Bam - Where’s Your Child?

Big Fun

Justo en ese momento Juan Atkins estaba comenzando su set en la otra habitación y recordé que yo sólo estaba allí porque Juan Atkins iba a ser el dj esa noche y porque queria compartir con alguién que no tenía idea de quien era Juan Atkins, alguien que estimara, aunque no había hablado en 5 años, el placer de bailar y sentir un gran sonido esa noche.

Y la verdad que en ese momento yo tampoco tenía tanta idea de quien era Juan Atkins, sólo sabía que era la persona que había inventado la música Techno como tal--- hacía como 20 años atrás y que si tenía algo importante que decir lo diría mezclando esa noche. Ok amigo a ver q me dices pues.. a ver de que va todo esto… a ver como me haces bailar o no me haces bailar—

Para q alucinen un poco la situacion pueden hacer click en la siguiente ventana y escuchar un tema de Atkins en su faceta Cybotron

Parecia que Juan Atkins tuviera sueño esa noche o simplemente no le interesaba poner música para chicos ricos de Manhattan en una discoteca en donde a nadie le interesaba la música. Pero me pregunto, dónde más podría estar mezclando Juan Atkins en Nueva York si no es en este lugar que de seguro le deben de haber pagado muy bien y siendo un padre de familia tiene que cobrar buen dinero para vivir como una persona decente.

Todo parecía que había cambiado un poco quizá porque mientras bailaba lleno de emoción, a mi lado estaba bailando otro maestro Kevin Sounderson--- y yo allí viendo q era el único que parecía bailar esa música increible q mezclaba Atkins bailé a su lado y me dije: Estos tipos si pertenecían a algo, ese algo parecía algo bien lejano en ese momento o algo que no lograba ver del todo.

Detroit quedaba a cientos de kilómetros de Nueva York, es una ciudad pobre de USA en donde los procesos se han dado de una manera tan particular que como producto de ellos salieron mutantes como los Stooges, MC5, Motown y la música Techo, todo esto entre 1950 y 1990.

Detroit y la cultura techno tienen algo relacionado quizá al colapso del proyecto Fordista, a lecturas alucinadas de la Tercera Ola de Alvin Tofler, a terroristas que se apropian de lo digital para querer instaurar un nuevo orden y cosas que en este momento no logro entender tan bien porque en parte su cultura es cerrada o simplemente no vivo allí.

No obstante, sabía que Juan Atkins, Derrick May y Kevin Saunderson, vivian aburridos en Detroit hasta que con la salida de la tecnología de secuenciadores desarrollarón una música raraza, por lo menos si tienes en cuenta que su música pertenecía a la comunidad negra de Detroit, que escuchaban música soul, que la tocaban en huecos en donde solo había un foco para alumbrar el club y que experimentando encontraron que podían hacer algo que ellos denominarían High Tech Soul.

Pero sin duda Detroit no es un lugar donde la gente va a pasar sus vacaciones. Por razones de un “futuro mejor” los 3 chicos negros de Detroit decidieron viajar a Londres a fines de los ochentas y hacer que esa música de Guetto se convirtiera en una revolución músical a nivel mundial pocos años después.

Ok.. pero volvamos.. estamos con la chica de la que había estado enamorado 5 años atrás, con Juan Atkins prácticamente bostezando, Kevin Saunderson bailando feliz y yo bailando con el junto a turistas japoneses en una discoteca sin nada de onda pero con un sonido brutal!!!..

Que había sucedido para que todo llegara a “esto”. Eso aun no lo sé, pero lo que sentí eran las consecuencias de decisiones en las que yo había o no había tomado parte.

Definitivamente Juan Atkins no había logrado alcanzar esa sociedad utópica de la que había soñado de igual forma que personajes como Pierre Shaffer o Stockhausen no llegaron a disfrutar del sueño que ellos tenían para su música. Sino más bien viendo como el sistema, al que parecía que no querían mucho, utilizaba todas sus enseñanzas para hacerse aun más fuerte o para replantearse nuevos horizontes más proyectados aún.

Ok.. pero volvamos, estoy con esta chica que ya estaba aburrida, Juan Atkins que tambien estaba aburrido y yo bailando con Kevin Saunderson. Mientras pensaba “que demonios está sucediendo aqui”… “que estoy haciendo acompañando a esta chica a su casa que queda al otro lado de la ciudad”--- Mi acompañante dijo algo asi como “Mira como hemos terminado, yo soy una profesora de Universidad y tu estás acá”----------------- “Hey.. si tu eres feliz.. entonces todo está bien”

En días en los que siento que poco a poco se va creando un paisaje dentro de mi mismo al ver como suceden las cosas, me pongo a pensar en que fui feliz bailando con Kevin Saunderson porque no me importaba nada de lo que he escrito arriba… no importaba la chica, ni como la gente me miraba, si estos tipos eran de Detroit o de La Victoria me daba igual.. la música era brutal!—y el sonido era incredible—el ambiente estaba en mi cabeza y Kevin Saunderson saltaba 2 metros del piso porque no tenía nada que demostrar a nadie.

Genesis P Orrige perdió a su esposa hace más o menos un mes… por lo que sabía la amaba mucho--- mientras me enteré de eso encontré una entrevista en la que decía algo así como “Estamos en una época en la que tenemos que aprender a disfrutar”--- El verbo aprender siempre me dio miedo cuando estaba en la Universidad---- quizá bailando he aprendido cosas ahora sin miedo .

Entonces volvamos por ultima vez, a mi situación con Kevin Saunderson bailando emocionado ahora en Detroit con todos sus black brothers siendo feliz!!—y en ese momento pienso que bueno pues… esa gente debe de haberla pasado tan bien como la gente q no se preocupa por ser nada en especial.

Quizá asimilé que la música electronica dance como la conocemos había nacido en la ciudad más pobre y con más problemas de todo Estados Unidos.. donde comprarse un sequenciador era un lujo -- solo pensar en la existencia de como en las situaciones más duras la gente encuentra soluciones en forma de música me hacía pensar en la cabeza dos cosas que no sé porque me di cuenta que en mi programa mental no tenían que ser contradictorias…..en principio a Kevin Sounderson mostrando toda su alegria como se ve en este video del año 88 recien llegadito en Londres

“Good Life”

Y por otro lado, estos dos videos que tienen el mismo nombre “Se te ve la tanga”

ESTO ES DAMAS GRATIS!!! Y DICE!!

01. Stimming, "Funkworm" [Diynamic Music] (buy)
Have another look.
02. Len Faki, "Odyssee I" [Podium] (buy)
An offshoot of Faki's own Len Series label, the fourth Podium continues to deliver absolute quality in the form of "Odyssee I." Swimming in an analog sci-fi flavor, the tune's warm launch is propelled by Detroitish arpeggios and a downright pretty motif at its core. Intense without being overblown, this track is for the cusp of peaktime, when you want to make sure all are aboard.
03. Lucy, "Glass Computer" [Perspectiv] (buy)
I love it when a song inspires visualizations which match the sound and the title; "Glass Computer" is no exception. Its tuneful beeps light up the circuitry inside the reverberating atmosphere, shooting sparks in the final minute or so. Backed with two impressive remixes from Mark August and Masaya, Lucy's debut is nothing short of impressive. Another fine signing from Perspectiv. (Runner up for this spot was another Perspectiv: Ripperton's delicate remix of Laurine Frost's "Papillion.")
04. Al Usher, "Here Today" [Misericord] (buy)
Like his Partial Arts partner, Al Usher is known largely for his remix work. But on his solo debut, "Here Today" shows he's no slouch in originating tunes. The tune morphs several times in its length and sounds as organic as it does brilliant. The pitter-patter strings and ringing percussion boil over as a gigantic bass line throws the whole thing into a new swaying rhythm. The other tunes on the release (the one and only Misericord) aren't quite as stunning, but "Here Today" alone makes it worth picking up.
05. Arto Mwambe, "Mudhutma!" [Brontosaurus] (buy) (buy) (buy)
Have another look.
06. Kevin Saunderson, "Till We Meet Again" (Carl Craig remix) [Planet E] (buy)
Have another look.
07. DJ Gregory, "Elle" (Âme Piano Mix) [Defected] (buy) (buy)
I must profess ignorance of the original "Elle," but I know Âme's revision is a large departure from the classic tune (thanks to the magic of online shops' samples). Very much in the vein of their rated "Baladine" single, their mix is superbly constructed and loaded with sound. Rendered tense with persistent scratching, tingly guitar(?) touches and gaseous tones, the tune really hits its stride at the introduction of a vaguely arabesque synth motif which wriggles like a snake possessed. Leave it to the Âme boys to take on a classic and come away with the superior take.
08. Manuel Tur & Dplay, "Black Label #23" [Compost Records] (buy)
Compost Records has long been one of my favorite labels, and its Black Label series efficiently highlights otherwise passed over or rising artists. This is Manuel Tur & Dplay's first effort together (though two more have soon followed it) and it's a fine study in contemporary deep house. Sounding a bit like a stripped back Âme, Tur & Dplay grab for simplistic chord stabs and a light string haze on "Move" and just let them roll. "Clock Work" is a bit more refined by still Âme-esque, concocted with a bobbing chord pattern flecked with claves, and is kept moving by synth builds and plucked string releases.
09. Tadeo, "Fractal" [Cray1 LabWorks] (buy) (buy)
This quick-paced track is delightfully percussive and emotive at once, its plumes of string-led anxiety suppressed only by even more restless percussion. I credit "Fractal" with spurring my greater interest in Tadeo; no mean feat with all the great releases vying for listeners' attention this month.
10. Jamie Lloyd, "What We Have" (Is A Zwicker remix) [Future Classic] (buy)
On first listen it's a bit indie rock in tone for most dance floors, but additional spins unwind the merits of Jamie Lloyd's smoothed over vocal swells and Zwicker's deep housed additional production. A nod in Phil Sherburne's direction for turning me (and hopefully many others) on to this tune.

the crowd are the principal reason this will not work. whether the latest movement is original, meshed or outright plagiarism, its the mass market that drive a scene. the only people who like indie music are public schoolboys and girls. old skool ravers were real people. big brother provides a nice illustration of this point - apparent inventor of indie music emily, who clearly hates herself for being white, and pink haired old comedy cheesy quaver tracey.

students, of course, are equally responsible for this travesty as the nme. deprived of proper rave because they're born too late, trying to appropriate something that belonged to a previous generation. is it me, or have students regressed back into the desperately seeking irony twats they were in the 80s?

in the mid 90s, one of my lecturers accused us of being 'benettonized'. the explicit meaning being that we had mobiles we couldn't pay for, nice clothes we'd worked all summer for and spent our grants on nights out at the ministry of sound. the implicit meaning being that students were supposed to be rich but act poor and listen to music that made you depressed and therefore a more authentic pauper. but the line had been blurred thanks to over generous government funding for education. now only those who are prepared to take on £30k debt or have rich parents go to university and we're back where we started. well let me tell you, irony has no place in dance music.

true ravers will seek out the old skool, so this mix is for them.

Proper rave for grown ups and Tracey from BB8 - download here 

acen - close your eyes – xxx mix

zero b – lock up

cubic 22 – night in motion

isotonik – different strokes

prodigy – charly – joey beltram mix

quadrophonia – quadrophonia

ace of the space – 9 is a classic

messiah – temple of dreams

kevin saunderson – tronik house

channel x – rave the rhythm

cls – can you feel it

human resource – dominator

prodigy – android

lfo – lfo

toxic two – rave generator

altern8 – infiltrate 202 – joey beltram mix

bizarre inc – plutonic

digital orgasm – running out of time

praga khan – injected with a poison

westbam – mayday anthem

orbital - chime – joey beltram mix    

Claude VonStroke, "Who's Afraid of Detroit?" (Kevin Saunderson remix)

Ripperton, "Tainted Words"

Jeff Samuel, "AWK"

Gaz Nevada, "I C Love Affair" (Italian version)